Call for Papers

Abstracts are welcome on Coleridge and meditation / contemplation /poetic thinking.

Coleridge in Kyoto

Application procedure:

(1) If you wish to present a paper, please e-mail Peter Cheyne (cheyne@notredame.ac.jp) by 20th October 2014 stating:

     (a) your name

     (b) affiliation

     (c) proposed title

     (d) description of your topic, around 150 words.

(2) The deadline for submission of papers is 30th January 2015. Papers may be revised after that date, and the purpose of the deadline is to be sure that presentations are forthcoming. Plenary lectures will be one-hour long; panelists will present for thirty or forty minutes; and other talks will be for twenty minutes, plus plus extra time for questions.

While Plenary Speakers will each focus in their own ways on the theme of  contemplation as found in and developed from Coleridge’s writings, participants are free to address more generally such topics as:

• poetry and contemplation

•  poetic thinking as a general mode of human thought , or as it occurs in verse, as explored by, e.g., Holderlin, Gerard Manley Hopkins, Yeats, Heidegger

•  contemplation in philosophy / history of ideas, esp. in writers whose ideas feature in Coleridge’s work, such as Plato, Plotinus, Proclus, Spinoza, Boehme, Kant, and Schelling

•  the need / use / value of contemplation

•  the role of contemplation in aesthetic engagement

•  what is contemplation and does it need to be recovered / cultivated?

•  are the Humanities becoming less contemplative as its researchers become more specialised?

•  the places of silence and discourse in contemplation

•  is meditation already contemplative or is it a preliminary to contemplation?

•  Coleridge and idealism

•  contemplative aesthetics, especially as related to Coleridge

•  the 20th century saw a linguistic turn in philosophy, what might a contemplative turn involve?•   meaning, value, and mind-independent Ideas

 

Reading Coleridge:

The Coleridge shelves at most good university libraries can be a daunting sight. Indeed, Coleridge’s own works amount to fifty physical volumes of his corpus, comprised by thirty-four physical volumes of the fifteen numbered titles in his Collected Works (CC, 1969-2002); the five heavy volumes of his Collected Notebooks (each with a companion volume of editor’s notes) (Notebooks, 1957-2002); and the six volumes of his Collected Letters (Letters, 1956-71). To ease the approach to Coleridge, here is a suggested reading list for Coleridge and Contemplation. Also, here is a Word file collecting some Coleridge quotes on topics related to contemplation: Contemplative Coleridge- quotes.

Suggested primary texts:

‘Meditative Poems in Blank Verse’, collected as a chapter of Sibylline Leaves

Poetical Works (Princeton/Routledge)

Biographia Literaria

Aids to Reflection

On the Constitution of Church and State According to the Idea of Each

The Friend

Coleridge’s Notebooks (ed. Seamus Perry): an introductory selection from the five-volume Collected Notebooks

A Book I Value (ed. Heather Jackson): an introductory selection from the six-volume Marginalia

 

Secondary reading suggestions:

Owen Barfield, What Coleridge Thought

J. Robert Barth, The Symbolic Imagination 

James Cutsinger, The Form of Transfomed Vision: Coleridge and the Idea of God

Douglas Hedley, Coleridge, Religion and Philosophy

Richard Holmes, Coleridge: Early Visions and Coleridge: Darker Reflections

John Muirhead, Coleridge as Philosopher

Mary Anne Perkins, Coleridge’s Philosophy

James Vigus, Platonic Coleridge

 

 


2 thoughts on “Call for Papers

    […] the Bard as ;our myriad-minded Shakespeare’. If you want to find out more check out their website. Submission deadline is 20th […]

    Congreso sobre Coleridge en Kyoto - SEyTA said:
    September 27, 2014 at 2:12 pm

    […] Más información: http://kyotocontemplation.org/call-for-papers/ […]

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s