Abstracts are welcome on Coleridge and meditation / contemplation /poetic thinking.
(1) If you wish to present a paper, please email Peter Cheyne (email@example.com) by 20th October 2014 stating:
(a) your name
(c) proposed title
(d) description of your topic, around 150 words.
(2) The deadline for submission of first drafts of papers is 30th January 2015. Papers may be revised after that date, and the purpose of the deadline is to be sure that presentations are forthcoming, and to review them for publication. Keynote Lectures will be 50-minutes to one-hour long; panelists will present for thirty or forty minutes; and other talks will be for twenty minutes, plus extra time for questions.
While the three Keynote Lecturers will each focus in their own ways on the theme of contemplation as found in and developed from Coleridge’s writings, participants are free to address more generally such topics as:
• poetry and contemplation
• poetic thinking as a general mode of human thought , or as it occurs in verse, as explored by, e.g., Holderlin, Gerard Manley Hopkins, Yeats, Heidegger
• contemplation in philosophy / history of ideas, esp. in writers whose ideas feature in Coleridge’s work, such as Plato, Plotinus, Proclus, Spinoza, Boehme, Kant, and Schelling
• the need / use / value of contemplation
• the role of contemplation in aesthetic engagement
• what is contemplation and does it need to be recovered / cultivated?
• are the Humanities becoming less contemplative as its researchers become more specialised?
• the places of silence and discourse in contemplation
• is meditation already contemplative or is it a preliminary to contemplation?
• Coleridge and idealism
• contemplative aesthetics, especially as related to Coleridge
• the 20th century saw a linguistic turn in philosophy, what might a contemplative turn in 21st-century thought involve?
• meaning, value, and mind-independent Ideas
The Coleridge shelves at most good university libraries can be a daunting sight. Indeed, Coleridge’s own works amount to the fifty physical volumes of his corpus, comprised by thirty-four physical volumes of the fifteen numbered titles in his Collected Works (CC, 1969-2002); the five heavy volumes of his Collected Notebooks (each with a companion volume of editor’s notes) (Notebooks, 1957-2002); and the six volumes of his Collected Letters (Letters, 1956-71). To ease the approach to Coleridge, here is a suggested reading list for Coleridge and Contemplation. Also, here is a Word file collecting some Coleridge quotes on topics related to contemplation: contemplative-coleridge-quotes.
Suggested primary texts:
‘Meditative Poems in Blank Verse’, collected as a chapter of Sibylline Leaves
Poetical Works (Princeton/Routledge)
Aids to Reflection
On the Constitution of Church and State According to the Idea of Each
Coleridge’s Notebooks (ed. Seamus Perry): an introductory selection from the five-volume Collected Notebooks
A Book I Value (ed. Heather Jackson): an introductory selection from the six-volume Marginalia
Secondary reading suggestions:
Owen Barfield, What Coleridge Thought
J. Robert Barth, The Symbolic Imagination
James Cutsinger, The Form of Transfomed Vision: Coleridge and the Idea of God
Douglas Hedley, Coleridge, Religion and Philosophy
Richard Holmes, Coleridge: Early Visions and Coleridge: Darker Reflections
John Muirhead, Coleridge as Philosopher
Mary Anne Perkins, Coleridge’s Philosophy
James Vigus, Platonic Coleridge